Why I Loved Villains in My 20s (And Don’t So Much Anymore)

Actually, it started earlier than my 20s. Darth Vader was the best. Of course, the Alliance had to win, and I would have been pissed if they didn’t, but Darth Vader’s redemption arc was the most interesting thing to me about the original Star Wars trilogy. (And let’s not talk about the other movies. I like to pretend they don’t exist.)

But I also thought the Empire had sharper uniforms, and much better ships, and the Imperial March is by far the cooler theme music.

I think when you’re a kid, or a young adult, and feeling fairly powerless, fictional villains can be very attractive. Villains don’t give a shit. Villains will use the force to choke you if you’re incompetent. Villains get the best outfits. Villains are pragmatic about getting what they want, and don’t care what other people think of their methods. Villains refer to themselves in the 3rd person. “Pain is a thing for lesser men. What is pain to Doom?”

Villains also have tragic back stories, usually, if they’re good fictional villains. Imagining one’s self as a villain leads to all kinds of enjoyable, self-pitying wallowing. If you feel misunderstood, imagine how misunderstood Dr. Doom must feel. But he has Doombots. He probably feels better when he can deploy those. Plus, the people of Latveria love him. Can I move to Latveria?

However, if you delve into the construction of stories with really great villains, you start to notice that the villains either get a redemption arc, or they are constantly defeated by the heroes. A villain is only as good as his enemies. Dr. Doom, no matter how much I love him (and I still do), has his stories hamstrung by some of the most irritating heroes in the Marvel universe. Ugh, The Fantastic 4. Especially Sue and Reed. Soooo boring. And the fact that Doom can never defeat them makes him a little boring too.

You also start to notice that the best villains are only sort of villainous, and mostly just have their own agenda. Doom, sometimes, Magneto, all the time.

And finally, you start to notice that real life villains are either really pathetic, evil in a totally unpleasant/deranged way, and/or privileged, careless people, people who were born on 3rd base and think they hit a triple. Which is to say, then the Bush administration happened. Darth Cheney is a funny joke, but in real life, he is a guy who loves power, and had a totally unrealistic view of how the world works, and forced a whole bunch of people to die for that power and those beliefs. There’s nothing interesting there. I don’t care why he is the way he is, I just don’t want him in charge of anything ever again.

You also might read things like Eichmann in Jerusalem

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What I’m Reading Wednesday

What I’m Reading Now:

I’ve started reading Laughter in the Dark by Vladimir Nabokov for my class with Mary Gaitskill on description and imagery. She is very devoted to Nabokov, and after reading a number of his short stories this semester, and re-reading Lolita, I understand why. He is a master of description and imagery, and there is a virtuosity to his writing that can be admired, but not imitated. One never sees him struggling.

I’m also still reading Mason & Dixon by Thomas Pynchon, which is incredibly entertaining, but also very slow going. Full of figurative flights of fancy, interspersed with hilarious low humor, all in a very challenging to penetrate 18th century pastiche. He is also a master.

One of the things M&D does that is of interest to me as a writer is create a rather preposterous frame, and execute it so well that it doesn’t matter that it is preposterous. The story is ostensibly told by a Reverend to his nieces and nephews, but the Reverend is so close to Mason and Dixon that he is often inside their perspectives, and only rarely his own. There is no way that someone could actually tell a story this way.

Since I am currently writing a novel that is a letter/confession/memoir, I need to learn how to do this. I don’t care that the narrator of M&D has implausible knowledge and recall, because the story and delivery itself is so good. The preposterousness of it is part of the charm.

I was warned that this book would contain hilarious anachronisms and in-jokes, and so it does. Among other things,

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What I’m reading Wednesday

What I am currently reading

I went shopping at Shakespeare and Co. today before the class I teach, and bought a stack of books. There is something so wonderful about buying a large stack of books. It is unrestrained. This was not just my shopping list for class (Laughter in the Dark by Vladimir Nabokov and

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Meaning and Stories

Last night I finished reading a novel that made me so angry. It was very well-written, and, in fact, that made me more angry than had it contained mediocre prose. It ended up being a novel about a sociopath and the people who populate her world are scarcely less selfish than she is. In many ways, they seem appalled by her actions not because they are morally wrong, but because she is so good at getting what she wants that no one can stand against her. The difference between her and the other characters in the novel is more that she is more skilled and less encumbered by moral strictures, so she can get her way.

I rarely read a book that I actively wish I had not read. Sometimes I wish I hadn’t spent the time on a book, but I rarely feel like I am a worse person for having read a book, or that the world is a worse place for the book being in it.

And this morning I am still angry, but I think it is more because this novel threatened my worldview, and that is why my anger is so strong, probably out of proportion to the substance of the novel. (And I like darkness in books I read, because a struggle against darkness, or to find meaning in the face of profound darkness is a very satisfying struggle. I do not like books that show only darkness. I know people do awful things. Awful things in and of themselves are dull.)

Coincidentally, or not, I recently read Religion for Atheists by Alain de Botton and am now reading What Should I Believe?: Why Our Beliefs about the Nature of Death and the Purpose of Life Dominate Our Lives by Dorothy Rowe. Rowe is a psychologist who has written several books I value, and a recurring theme in her books is that humans are constantly creating meaning–telling stories–and when the bedrock beliefs that allow us to create that meaning are threatened, anxiety, terror and depression are some of the things our minds create to try to deal with that existential anguish.

One of my deepest beliefs is that almost every person is trying to see him or herself as a good person and do the right thing for themselves. No one is the villain of his or her own story. I am proud of how I did that in the novel I’m working on right now. Everyone who has read the drafts praised (or noticed) that every character has understandable motivations. Everyone is trying to get what they need for themselves and their families and the conflicts occur because they cannot all get what they want. No evil mastermind to supply the conflict.

And I’m proud of that because it expresses my deepest beliefs about how humans and the world works, that we are selfish but we are not evil. We try to be good to ourselves and our families and we want to see ourselves as good people.

I dislike stories about sociopaths because they seem to me more like weather phenomena than expressing something true about humanity. A sociopath story, a serial killer story, can only be interesting to me in how it shows “real” people reacting to those phenomena. A story where almost everyone has some degree of sociopathy not only doesn’t reflect the real world to me, but feels damaging at some essential level, because it proceeds from core beliefs that I think are fundamentally and morally wrong.

Alain de Botton’s book, Religion for Atheists is a wonderfully optimistic book. It seems that one of his bedrock beliefs is that being an atheist does not mean that one must lack a meaning structure or be immoral. The book does something I’ve always wanted to see, which is address the positive things that religion can do or has done, things that the atheism movement tends to sweep under the carpet. Religion is about meaning. Religion gives people stories to tell about the world to explain how it is and how we should be. I think fiction does the same thing–there is no such thing as a novel that does not take some kind of moral stance, because it puts a meaning structure around events. Even a novel that comes to the conclusion that life is meaningless has come to that meaning structure.

Rowe’s book addresses the various ways that beliefs and meaning structures can cause problems, for societies and people, while de Botton’s book discusses how the urges to religious organizations and expressions

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